Hannah Hoch - banner


Love - 1926
In Love Hock mockingly looks at conventional relationships of enraptured love between men and women.

Hoch used images of a popular dolls that at the time were mass produced and marketed as being innocent, and full of wonderment. The doll's eye looms large and her lips portay a nice polite smile, yet it has a strange sinister looking face enhanced by the fact that it has been cut at odd angles. On the other hand we see a man staring not directly at the doll, but outwardly. The doll is used to represent the modern women's altered ego. Both male and female seem to be caught in a mechanized state of mind presumably the effects of enraptured love.